Key Features
40MP APS-C X-Trans5 BSI Sensor
7-Stop In-Body Image Stabilization
8K 30p, 4K 60p, FHD 240p 10-Bit Video
5.76m-Dot OLED Electronic Viewfinder
160MP Pixel Shift Multi-Shot
20 fps E-Shutter, 15 fps Mech. Shutter
CFexpress Type B & SD UHS-II Card Slots
ProRes Raw, Blackmagic Raw via HDMI
Intelligent Hybrid Autofocus
XF 16-80mm f/4 R OIS WR Lens
Bundling the high-resolution mirrorless body with a versatile zoom, the FUJIFILM X-H2 Mirrorless Camera with 16-80mm Lens pairs the sleek camera body with the XF 16-80mm f/4 R OIS WR zoom lens.

Key Features
FUJIFILM G Mount
95mm (35mm Equivalent)
Aperture Range: f/4 to f/32
Three Extra-Low Dispersion Elements
Maximum Magnification: 1:2
Minimum Focusing Distance: 1.5'
Linear AF Motor, Floating Focus System
Optical Image Stabilization
Fluorine-Coated Front Element
Dust- and Weather-Sealed Construction
Designed for working with close-up subjects, the GF 120mm f/4 Macro R LM OIS WR from FUJIFILM is a versatile short telephoto prime for the G-mount GFX camera system. Offering a 95mm equivalent focal length, along with a maximum magnification of 1:2 and a 1.5' Minimum focusing distance, this lens is well-suited for photographing near macro subjects as well as portraits and still lifes. Its optical design incorporates three extra-low dispersion elements to reduce color fringing and chromatic aberrations for improved clarity and color accuracy, and the design has also been optimized to render smooth out-of-focus area in front of and behind the plane of focus to suit shallow depth of field imagery. Additionally, a floating elements system is employed for consistent sharpness throughout the focusing range, and a linear AF motor provides fast and quiet focusing performance.

Benefitting handheld shooting, Optical Image Stabilization Minimizes the appearance of camera shake for sharper imagery when working with slower shutter speeds. A focus range limiter switch is also available, to constrain the focusing to a 1.5' to 3' range, a 3' to infinity range, or the full focusing range. A fluorine coating has also been added to the front element to repel moisture and the lens also features a dust-, freeze-, and weather-resistant construction for use in inclement conditions. Additionally, a manual aperture ring is featured for intuitive, tactile adjustment over exposure settings, and a Command position can also be set for camera-based control over the aperture.

Telephoto prime lens offers a 95mm equivalent focal length that is well-suited to working with close-up subjects at a comfortable range.
The optical design incorporates three extra-low dispersion elements to reduce chromatic aberrations and color fringing throughout the aperture and focusing ranges for notable clarity and color fidelity.
A floating focusing system maintains sharpness and clarity throughout the focusing range, from 1.5' to infinity.
High-speed linear motor delivers quick, quiet, and smooth autofocus performance.
Maximum magnification of 1:2 benefits working with close-up subjects.
Focus range limiter lets you choose between a 1.5-3' focusing range, 3' to infinity range, or full range depending on the subject being photographed.
Optical Image Stabilization system compensates for up to five stops of camera shake to help realize sharper imagery when shooting handheld.
Physical aperture ring allows for intuitive adjustment over exposure settings, and incorporates a C (Command) position to permit camera-based aperture setting.
The front element features a hydrophobic fluorine coating to repel moisture.
Dust- and weather-sealed physical construction enables working in harsh climates and temperatures as low as 14°F.
Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.

Key Features
FUJIFILM G Mount
87mm (35mm Equivalent)
Aperture Range: f/2 to f/22
Four Extra-Low Dispersion Elements
Linear AF Motor, Internal Focusing
Dust- and Weather-Sealed Construction
Command Position on Aperture Ring
Rounded Nine-Blade Diaphragm
An ideal lens for portraiture, the GF 110mm f/2 R LM WR from FUJIFILM is a short telephoto, 87mm-equivalent prime for the G-mount GFX camera system. Its bright f/2 maximum aperture affords extensive control over depth of field for working with selective focus techniques, and also benefits working in low-light conditions. A rounded nine-blade diaphragm also contributes to pleasing bokeh quality to suit shallow depth of field imagery. The sophisticated optical design employs four extra-low dispersion elements to reduce color fringing and chromatic aberrations for a high degree of clarity and contrast. Additionally, benefitting handling the lens is a linear autofocus motor that is both quick and quiet, and an internal focusing mechanism limits the overall lens length during use as well as maintains consistent image quality throughout the focusing range. The lens is also dust-, freeze-, and weather-resistant and features a manual aperture ring for intuitive exposure adjustment as well as a Command position for camera-based control over the aperture.

Short telephoto prime lens offers an 87mm equivalent focal length realize a slightly narrow field of view to suit portraiture and other mid-length shooting applications.
Bright f/2 maximum aperture benefits working in low-light conditions as well as enables a high degree of control over depth of field.
The optical design incorporates four extra-low dispersion elements to reduce chromatic aberrations and color fringing throughout the aperture and focusing ranges for notable clarity and color fidelity.
A linear AF motor is used for quick, quiet focusing performance and an internal focusing mechanism maintains the overall length of the lens during operation and also produces consistent optical performance throughout the focusing range.
Physical aperture ring allows for intuitive adjustment over exposure settings, and incorporates a C (Command) position to permit camera-based aperture setting.
Dust- and weather-sealed physical construction enables working in harsh climates and temperatures as low as 14°F.
Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.

Key Features
FUJIFILM G Mount
197.5mm (35mm Equivalent)
Aperture Range: f/4 to f/32
One Super ED Element, Two ED Elements
Linear AF Motor, Internal Focusing
Optical Image Stabilization
Focus Preset Function Button
Fluorine-Coated Front Element
Dust- and Weather-Sealed Construction
A medium telephoto prime characterized by its sophisticated optical design, the GF 250mm f/4 R LM OIS WR from FUJIFILM is a 197.5mm-equivalent lens for the G-mount GFX camera system. Offering a mixture of long reach and a relatively bright f/4 maximum aperture, this lens is well-suited to isolating subject matter and working with shallow depth of field techniques. Complementing the visual compression of the telephoto focal length is an advanced optical layout, which uses one Super ED element and two extra-low dispersion elements to control color fringing and chromatic aberrations for a high degree of clarity and color accuracy.

In addition to its optical assets, this lens is also distinguished by its five stop-effective image stabilization system that Minimizes the appearance of camera shake for sharper handheld imagery. It also features a linear autofocus motor that is both quick and quiet, and an internal focusing mechanism limits the overall lens length during use as well as maintains consistent image quality throughout the focusing range. The lens's magnesium-alloy build is also dust-, freeze-, and weather-resistant.

Medium telephoto prime lens offers a 197.5mm equivalent focal length to realize a narrow field of view to suit wildlife and portraiture applications.
Relatively bright f/4 maximum aperture enables a high degree of control over depth of field.
The optical design incorporates one Super ED element and two extra-low dispersion elements to reduce chromatic aberrations and color fringing throughout the aperture and focusing ranges for notable clarity and color fidelity.
A linear AF motor is used for quick, quiet focusing performance and an internal focusing mechanism maintains the overall length of the lens during operation and also produces consistent optical performance throughout the focusing range. Additionally, an updated mechanism also fixes the linear motor position when turning the camera off so the focus position remains the same.
Focus Preset function button allows you to recall saved focusing positions for quick switching between focusing distances.
Optical Image Stabilization system compensates for up to five stops of camera shake to help realize sharper imagery when shooting handheld.
Physical aperture ring allows for intuitive adjustment over exposure settings, and incorporates a C (Command) position to permit camera-based aperture setting.
The front element features a hydrophobic fluorine coating to repel moisture.
Dust- and weather-sealed magnesium-alloy construction enables working in harsh climates and temperatures as low as 14°F.
Compatible with optional GF 1.4X TC WR Teleconverter, which extends the focal length to 350mm for even greater reach.

Key Features
Covers Super 35 Format
Fuji X-Mount with Electrical Contacts
Consistent T2.9 Aperture Over Zoom Range
3 x Standard 0.8 MOD Gears
Clickless 9-Blade Iris
200° Focus Rotation and Macro Mode
Color Matched to Fujinon HK/ZK/XK Series
85mm Front Outside Diameter
Weighs 2.16 Pounds
Flange Focal Distance Adjustment
The Fujinon MKX18-55mm T2.9 Lens in X-Mount is a lightweight cine-style zoom lens for X-mount cameras with a Super 35mm-sized sensor. The electrical contacts within the lens mounts allows communication with X-series cameras. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine -style lens accessories. The focus ring features approximately 200° of rotation, which provides room for precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.

The lens is color matched to other Fujinon lenses such as the HK, ZK, and XK series, which enables smooth intercutting between lenses. The 85mm front enables use with many cine-style matte boxes via use of optional step-up rings (rings not included). The lens weighs only 2.16 pounds, which is fairly light for a cinema zoom that holds focus and aperture throughout the focal length range. It is designed for cameras with a Fuji X-mount, so it has a short flange focal distance, but the lens allows for flange focal distance adjustment so you can fine-tune it to the camera you are using the lens on.

The electical contacts within the lens mount enables communication with X-series cameras, which allows for correction of distortion and color/brightness shading to prevent vignetting. This communication also enables you to achieve a variety of color expressions when using Film Simulation modes.
T2.9 to T22 aperture with 9 iris blades for attractive bokeh
The 28.5mm diameter image circle covers the 3-perf super 35 format with a 16:9 aspect ratio
Industry standard 0.8 film pitch gears for focus, zoom, and iris control
The gear rings positions for focus, zoom, and iris are located at the same position on both lenses in the MKX series, making switching between the two zooms quick as you don't have to adjust the position of lens accessories
Both lenses in the MKX series have the same weight and length so there is no need to rebalance your camera when you change from one lens to the other
200° focus barrel rotation
No shims are required to adjust the flange focal distance as this lens has a built-in adjustment mechanism
Macro focus function available.

Key Features
51.4MP 43.8 x 32.9mm CMOS Sensor
X-Processor 4 Image Processor
3.69m-Dot OLED EVF
3.2" 2.36m-Dot Tilting Touchscreen LCD
117-Point Contrast-Detection AF System
Extended ISO 50-102400, 3 fps Shooting
Full HD 1080p Video Recording at 30 fps
Multi Aspect Ratio Shooting
Film Simulation Modes
Weather-Sealed Magnesium Alloy Body
Offering the perfect mix of accessibility and flexibility, the GFX 50S II from FUJIFILM is a unique medium format mirrorless camera that is wonderfully compact and portable. Featuring a 51.4MP CMOS sensor paired with an improved X-Processor 4 image processor, this camera produces files with extremely wide dynamic range and high resolution, as well as having an extended sensitivity range of ISO 50-102400 for working in difficult lighting conditions. The sensor's large form factor also achieves a unique three-dimensional look with especially smooth tonal and color transitions.
The GFX 50S II has also been updated with a five-axis in-body image stabilization system that negates up to 6.5 stops of camera shake for improved handheld shooting, providing dramatically broad creative possibilities for image makers wanting to work more freely with slower shutter speeds. For composing images, a 3.69m-dot electronic viewfinder can be used for high-resolution eye-level viewing, and a rear 3.2" 2.36m-dot touchscreen LCD features a three-way tilting design that supports working from high and low angles. Additionally, the GFX 50S II offers a magnesium alloy build that is both lightweight and durable and is also dust- and weather-sealed, as well as freezeproof down to 14°F, for working in harsh environmental conditions.
Utilizing a large, 43.8 x 32.9mm 51.4MP CMOS sensor and an improved X-Processor 4, the GFX 50S II is capable of delivering high-resolution, 14-bit stills with a broad sensitivity range of ISO 100-12800, which can be extended to ISO 50-102400. The large size of each pixel allows for more efficient light gathering, too, for smoother tonal and color transitions to produce a characteristic three-dimensional "medium format look." Also contributing to several medium format looks, a variety of traditional medium and large format aspect ratios can be used in addition to the standard 4:3, including 1:1, 65:24, 5:4, 7:6, 3:2, and 16:9. The image processor and sensor also permit shooting continuously up to 3 fps or for recording Full HD 1080p video at 29.97, 25, 24, and 23.98 fps frame rates.

Key Features
Covers Super 35 Format
Fuji X-Mount with Electrical Contacts
Consistent T2.9 Aperture Over Zoom Range
3 x Standard 0.8 MOD Gears
Clickless 9-Blade Iris
200° Focus Rotation and Macro Mode
Color Matched to Fujinon HK/ZK/XK Series
85mm Front Outside Diameter
Weighs 2.16 Pounds
Flange Focal Distance Adjustment
The Fujinon MKX50-135mm T2.9 Lens in X-Mount is a lightweight cine-style zoom lens for X-mount cameras with a Super 35mm-sized sensor. The electrical contacts within the lens mounts allows communication with X-series cameras. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine-style lens accessories. The focus ring features approximately 200° of rotation, which provides room or precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.

The lens is color matched to other Fujinon lenses such as the HK, ZK, and XK series, which enables smooth intercutting between lenses. The 85mm front enables use with many cine-style matte boxes via use of optional step-up rings (rings not included). The lens weighs only 2.16 pounds, which is fairly light for a cinema zoom that holds focus and aperture throughout the focal length range. It is designed for cameras with a Fuji X-mount, so it has a short flange focal distance, but the lens allows flange focal distance adjustment so you can fine-tune it to the camera you are using the lens on.

The electical contacts within the lens mount enables communication with X-series cameras, which allows for correction of distortion and color/brightness shading to prevent vignetting. This communication also enables you to achieve a variety of color expressions when using Film Simulation modes.
T2.9 to T22 aperture with 9 iris blades for attractive bokeh
The 28.5mm diameter image circle covers the 3-perf super 35 format with a 16:9 aspect ratio
Industry standard 0.8 film pitch gears for focus, zoom, and iris control
The gear rings positions for focus, zoom, and iris are located at the same position on both lenses in the MKX series, making switching between the two zooms quick as you don't have to adjust the position of lens accessories
Both lenses in the MKX series have the same weight and length so there is no need to rebalance your camera when you change from one lens to the other
200° focus barrel rotation
No shims are required to adjust the flange focal distance as this lens has a built-in adjustment mechanism
Macro focus function available

Key Features
51.4MP 43.8 x 32.9mm CMOS Sensor
X-Processor 4 Image Processor
3.69m-Dot OLED EVF
3.2" 2.36m-Dot Tilting Touchscreen LCD
117-Point Contrast-Detection AF System
Extended ISO 50-102400, 3 fps Shooting
Full HD 1080p Video Recording at 30 fps
Multi Aspect Ratio Shooting
Film Simulation Modes
GF 35-70mm f/4.5-5.6 WR Lens
FUJIFILM GF 35-70mm f/4.5-5.6 WR Lens
Designed for the FUJIFILM G-mount GFX camera system, this GF 35-70mm f/4.5-5.6 WR Lens is a wide-angle zoom offering a 28-55mm equivalent focal length range. Covering wide-angle to normal-length perspectives, this zoom is well-suited to everyday shooting applications. Weighing less than a pound and offering a closed length of under 3", this compact and portable lens is engineered to produce images or video with incredible detail and minimal focus breathing, providing the perfect gateway to the capabilities and possibilities of the large format GFX System. Expansive landscapes, delicate portraits, and gritty documentaries are all within reach in the hands of the right storyteller. Additionally, the lens also features a dust-, freeze-, and weather-resistant design for use in inclement conditions.

Wide-angle to normal-length zoom offers a 28-55mm equivalent focal length to suit working in a variety of situations.
Minimum focusing distance of 13.8" to suit working with close-up subjects.
Dust- and weather-sealed physical construction enables working in harsh climates and temperatures as low as 14°F.
Weighs under 1 lb with a closed length of 2.9".

Key Features
102MP 43.8 x 32.9mm BSI CMOS Sensor
X-Processor 4 Image Processor
4K30 Video; F-Log Gamma, 12-Bit Raw Out
3.69m-Dot OLED EVF
3.2" 2.36m-Dot Tilting Touchscreen LCD
5-Axis Sensor-Shift Image Stabilization
425-Point Phase-Detection Autofocus
ISO 100-12800, up to 5 fps Shooting
400MP Pixel Shift Multi-Shot
19 Film Simulation Modes
Redefining medium format, the FUJIFILM GFX 100S pairs an ultrahigh resolution 102MP sensor with an impressively compact and portable mirrorless camera body design. Appealing to both photo and video needs, too, this camera is further rounded out by a durable construction, in-body image stabilization, and apt autofocus to make the camera more accessible and applicable for a variety of shooting needs.

At the heart of the GFX 100S platform is the 102MP 44 x 33mm BSI CMOS sensor, which offers the ultra-high resolution coveted by stills photographers as well impressive 4K video recording options, too. The sensor pairs with the X-Processor 4 in order to output 16-bit raw imagery with a broad dynamic range, low noise levels, and sensitivity to an ISO 12800, and the BSI design of the sensor contributes to high clarity and accurate color rendering when working in a variety of lighting conditions. In terms of video, DCI and UHD 4K video recording is possible at 4:2:0 10-bit internally, 4:2:2 10-bit via HDMI, or raw 12-bit if recording externally, and an F-log gamma setting can also be used for more advanced color grading during post-production. Beyond high-resolution shooting, the unique sensor design also incorporates a sophisticated hybrid AF system that features 425 selectable phase-detection points, which cover nearly the entire frame, and aid with precise face and eye-detection modes.

Balancing the awesome sensor design is a notably compact form factor, which opens up a range of new working scenarios for this high-res platform. Sleek and lightweight, the portability of the GFX 100S is backed up by capable in-body image stabilization that compensates for up to 6 stops of camera shake for improved handheld shooting. Conversely, this stabilization system also enables making 400MP files using Pixel Shift Multi-Shot mode for extreme detail of still subjects. Also contributing to the sleek form factor is a fixed 3.69m-dot EVF for bright eye-level viewing and a rear 3.2" touchscreen LCD with a three-way tilting design.

102MP BSI CMOS Sensor and X-Processor 4
Utilizing a large and exceedingly high 102MP resolution 43.8 x 32.9mm BSI CMOS sensor and X-Processor 4, the GFX 100S is capable of delivering 16-bit stills with wide dynamic range as well as a broad sensitivity range of ISO 100-12800, which can be extended to ISO 50-102400. The large size of each pixel allows for more efficient light gathering, too, for smoother tonal and color transitions to produce a characteristic three-dimensional "medium format look." Also contributing to several medium format looks, a variety of traditional medium and large format aspect ratios can be used in addition to the standard 4:3, including 1:1, 65:24, 5:4, 7:6, 3:2, and 16:9.

The image processor and sensor also lend a versatile edge to the system, and permit shooting continuously up to 5 fps or for recording DCI and UHD 4K30 video.
UHD and DCI 4K Video Recording
Utilizing the large sensor size for more than just stills, the GFX 100S also offers an enticing array of video capabilities, including internal UHD and DCI 4K30p video recording at up 4:2:0 10-bit, as well as 4K30p 4:2:2 10-bit via HDMI output, both at up to 400 Mb/s-and simultaneous external and internal recording is possible. If working with an Atomos Ninja V, then UHD 4K30p raw 12-bit output is also possible using the Apple ProRes RAW format.

Greatly benefitting overall video performance, the speed of the quad-CPU X-Processor 4 enables fast read speeds when recording 4K video, which helps to reduce rolling shutter distortion when filming moving subjects.

In addition to the supported 10-bit color depth, the GFX 100 also includes the F-Log gamma setting, which provides a flat picture for use in advanced color grading software during editing. This maximizes the potential dynamic range in difficult scenes and image adjustments can be made, as well, to highlight tone, shadow tone, color, and sharpness. HLG recording is supported, too, for HDR applications, and F-Log, HLG, and Film Simulations can all be used simultaneously with raw external output.

Also, the camera features a 3.5mm microphone jack and 3.5mm headphone jack for more advanced audio solutions.
Sensor-Shift Image Stabilization
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake to better suit handheld shooting. This system works in conjunction with any lens, including non-stabilized ones, but when used with OIS-enabled lenses offers up to approximately 6 stops of shake reduction.
Body Design
Updated body shape is noticeably more compact and lightweight than previous GFX 100 models, making it especially well-suited for handheld shooting on location and in studio environments.
Magnesium alloy body construction is both lightweight and durable, and the camera system is weather sealed to render it moisture- and dust-resistant, as well as freezeproof down to 14°F, for use in inclement conditions.
Fixed 3.69m-dot OLED electronic viewfinder is featured for high-resolution, 0.77x-magnification eye-level viewing.
A 3.2" 2.36m-dot touchscreen LCD is also available for image playback, menu navigation, and live view shooting. This LCD features a unique three-way tilting design that moves both upward and downward for shooting from high and low angles, and also tilts to the side to benefit shooting in the vertical orientation when in live view.
Single NP-W235 rechargeable lithium-ion battery is rated to provide approximately 460 shots per charge.
Dual UHS-II SD memory card slots are featured, and permit saving imagery in a sequential manner, backup/duplicate manner, or in a sorted manner to segregate JPEG and raw files.
The FUJIFILM G lens mount features a short focal flange distance of just 26.7mm to better facilitate adapting lenses and to allow for reduced back focusing distances to better prevent vignetting and promote edge-to-edge sharpness with the GF series of lenses.
A 1.8" sub-LCD monitor on the top plate can be used to quickly view shooting settings and exposure data.
Exposure mode dial on the top plate also incorporates six custom positions for quickly switching between pre-configured exposure settings.
Integrated Bluetooth 4.2 low energy and Wi-Fi allows you to wirelessly share images to a mobile device or use the device to remotely control the camera.
Hybrid Autofocus System
The sensor's design also includes an expanded phase-detection autofocus system, which has 425 selectable points that cover nearly the entire sensor area. This AF system delivers fast and accurate focusing performance along with low-light sensitivity down to -5.5 EV. Complementing the imaging and focusing capabilities, an updated X-Processor 4 is also featured, and delivers fast focus response for subject tracking and also supports Face- and Eye-Detection AF when working in AF-C mode and when recording video.
Other Camera Features
Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including the newly introduced Nostalgic Neg. effect, along with Provia, Velvia, Astia, Classic Chrome, Classic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Classic Chrome effect to fine-tune the look of imagery.
Pixel-Shift Multi-Shot mode is capable of producing massive, 400MP images by combining 16 raw images using FUJIFILM's Pixel Shift Combiner software, which can then be output as a DNG file for further processing using most popular editing software.
Interval shooting is possible for up to 999 consecutive frames with a 1 sec to 24-hour delay between exposures, as well as up to a 24-hour shutter delay.
Multiple Exposure mode lets you shoot two consecutive overlaid frames, and the first frame will be shown on the rear LCD to aid in alignment for the second exposure.
A variety of file formats are available depending on your workflow needs and include uncompressed and compressed raw file types; Super Fine, Fine, and Normal JPEG settings; and TIFF files can be output via in-camera raw file development.

Key Features
102MP 43.8 x 32.9mm BSI CMOS Sensor
X-Processor 5 Image Processor
9.44m-Dot EVF
4K60 Video; 10-Bit Out
5-Axis Sensor-Shift Image Stabilization
3.2" 2.36m-Dot Tilting Touchscreen LCD
ISO 80-12800, Up to 8 fps Shooting
Multi Aspect Ratios
FUJIFILM continues to challenge the expectations of medium format mirrorless cameras with the GFX100 II. By incorporating a powerful new 102MP sensor and X-Processor 5 image processor, this camera not only serves as a commanding second iteration of FUJIFILM's flagship model but proves to be an elite and accessible mirrorless option for photographers and filmmakers alike.
Upgrading upon a critical function of any mirrorless camera, the GFX100 II features a massive 9.44m-dot EVF with 120 fps live view and 5 fps of blackout-free shutter use. Additionally, 8-stops of in-body stabilization helps to create sharper images by reducing camera shake and affords you significantly more control of your shutter speeds.
Superior Autofocus Performance
Improved autofocus algorithms and updated tracking ensures your subject stays locked in focus regardless of their movements. Create images at up to 8 fps with the camera's high-speed mechanical shutter or record 4k/60p video at the full width of the GFX100 II's impressive 55mm imaging sensor.
The introduction of these new features elevates the GFX series and solidifies the GFX100 II as a versatile, high-performing medium format mirrorless camera.

102MP BSI CMOS Sensor and X-Processor 5
Featuring a new 102MP resolution 43.8 x 32.9mm BSI CMOS sensor and X-Processor 5, the GFX100 II delivers brilliant autofocus performance with improved tracking. The combination of this high-resolution sensor and processor work together to achieve remarkably fast operation, wide dynamic range, and incredible photo quality, even at higher ISO sensitivities. By incorporating internal subject detection and enhanced autofocus algorithms, FUJIFILM has created a notably reliable autofocus system that keeps subjects in focus while tracking their movement.
4K/60p Video Recording
Take full advantage of the GFX100 II's large sensor and internally record video in 4:2:2, 10-bit Apple ProRes, or use HDMI to record 12-bit 4:2:2 Apple ProRes RAW or Blackmagic RAW in resolutions of up to 8K/30p, or, at the full width of GFX100 II's 55mm sensor, at 4K/60p. Accelerate a project's delivery to color grading workflows in Da Vinci Resolve or Adobe Premiere Pro without any need to transcode original camera files before editing.