Key Features
1/4 Diffusion Filter
Reduces Highlights and Lowers Contrast
Creates Cinematic Look
Softens Wrinkles and Blemishes
Nano Resistance Coating
Optical Glass
Brass Filter Ring
The Black Mist Filter 1/4 from NiSi is a classic style diffusion filter for lenses with a 72mm filter thread. Inspired by the popular cinema range "Allure Mist Black" and recreated as a circular filter. Compatible with both still imaging or video, a Black Mist filter lowers contrast by suppressing and diffusing highlights and lifting shadows to help balance the tonal range of the image. It creates a cinematic look and is also commonly used to soften wrinkles, blemishes and creates a flattering image of a subject. The effect is most effective when capturing light that diffuses softly when backlit, creating a transparent light that looks like it was taken with a high-quality vintage lens.

This filter is constructed from optical glass and is available in diffusion grades of 1/8, 1/4, and 1/2; the diffusion effect becomes approximately twice as strong with each grade number increase.

Each optical glass surface features NiSi's Nano coating for an improved beading effect when in contact with water, oil, or grease for greater cleaning efficiency. Constructed with a high-quality brass frame for enhanced durability and jamming prevention.

Reduces highlights and lowers contrast
Creates a cinematic look
Softens wrinkles and blemishes
Delicately captures flare
Creates a soft, pastel-like quality
Softly diffuses light
Resolution maintained while contrast and sharpness are understated
High-quality brass frame
Nano resistance coating repels water, oil, and grease

Key Features
1/8 Diffusion Filter
Reduces Highlights and Lowers Contrast
Creates Cinematic Look
Softens Wrinkles and Blemishes
Nano Resistance Coating
Optical Glass
Brass Filter Ring
The Black Mist Filter 1/8 from NiSi is a classic style diffusion filter for lenses with a 67mm filter thread. Inspired by the popular cinema range "Allure Mist Black" and recreated as a circular filter. Compatible with both still imaging or video, a Black Mist filter lowers contrast by suppressing and diffusing highlights and lifting shadows to help balance the tonal range of the image. It creates a cinematic look and is also commonly used to soften wrinkles, blemishes and creates a flattering image of a subject. The effect is most effective when capturing light that diffuses softly when backlit, creating a transparent light that looks like it was taken with a high-quality vintage lens.

This filter is constructed from optical glass and is available in diffusion grades of 1/8, 1/4, and 1/2; the diffusion effect becomes approximately twice as strong with each grade number increase.

Each optical glass surface features NiSi's Nano coating for an improved beading effect when in contact with water, oil, or grease for greater cleaning efficiency. Constructed with a high-quality brass frame for enhanced durability and jamming prevention.

Reduces highlights and lowers contrast
Creates a cinematic look
Softens wrinkles and blemishes
Delicately captures flare
Creates a soft, pastel-like quality
Softly diffuses light
Resolution maintained while contrast and sharpness are understated
High-quality brass frame
Nano resistance coating repels water, oil, and grease

Eliminates Reflections and Glare
Greater Color and Tonal Saturation reduces Haze in Landscapes
True color without the warming cast that is seen with many other CPLs
Knurled sides for easier grip during filter install and removal
Cine Sealed Technology to seal the polarizing film
Pro Nano coating to reduce unwanted reflections
Waterproof and Nano Coating
Ultra High Definition
Ultra Slim Two-Color Frame
The NiSi True Color CPL is designed to reduce glare and reflections from non-metallic surfaces, increase saturation and vibrancy in the sky and foliage while ensuring true color reproduction is at its best by eliminating the warming effect that many polarisers create. Our True Color CPL removes the warm tone seen with other brands of CPL filters and provides a closer true color representation of the scene. The True Color CPL features a unique two-tone frame with a silver back ring, black front ring and both are made from high-quality aluminum. NiSi’s Sure Color CPL utilizes Cine seal technology which blackens the edge of the CPL for added durability. This technology reduces the influence of temperature fluctuations and keeps out condensation.

A Circular Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. The light from the sun naturally becomes partially polarized due to reflecting off electrons in air molecules, causing the light to scatter into what appears as haze. A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies, foliage, and allows the camera to capture what is under the surface of shallow water.

Our proprietary NiSi Pro Nano Coating helps to reduce unwanted reflections and provides a waterproof and scratch-resistant layer to assist in the cleaning of unwanted fingerprints, dust and water stains. The slimline frame of the NiSi Natural CPL is durable and tough and allows a lens cap to be attached for convenience.

Eliminates Reflections and Glare
Greater Color and Tonal Saturation reduces Haze in Landscapes
True color without the warming cast that is seen with many other CPLs
Knurled sides for easier grip during filter install and removal
Cine Sealed Technology to seal the polarizing film
Pro Nano coating to reduce unwanted reflections
Waterproof and Nano Coating
Ultra High Definition
Ultra Slim Two-Color Frame
The NiSi True Color CPL is designed to reduce glare and reflections from non-metallic surfaces, increase saturation and vibrancy in the sky and foliage while ensuring true color reproduction is at its best by eliminating the warming effect that many polarisers create. Our True Color CPL removes the warm tone seen with other brands of CPL filters and provides a closer true color representation of the scene. The True Color CPL features a unique two-tone frame with a silver back ring, black front ring and both are made from high-quality aluminum. NiSi’s Sure Color CPL utilizes Cine seal technology which blackens the edge of the CPL for added durability. This technology reduces the influence of temperature fluctuations and keeps out condensation.

A Circular Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. The light from the sun naturally becomes partially polarized due to reflecting off electrons in air molecules, causing the light to scatter into what appears as haze. A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies, foliage, and allows the camera to capture what is under the surface of shallow water.

Our proprietary NiSi Pro Nano Coating helps to reduce unwanted reflections and provides a waterproof and scratch-resistant layer to assist in the cleaning of unwanted fingerprints, dust and water stains. The slimline frame of the NiSi Natural CPL is durable and tough and allows a lens cap to be attached for convenience.

Variable Neutral Density Filter Offering Greater Control Over Exposure Settings, Allows Reduce Shutter Speeds and Wider Apertures
True Color result that avoids color shift seen in other Variable filters
Variable 0.3 to 1.5 Neutral Density
Reduces Exposure by 1 to 5 Stops
Exposure Range-Control Filter Ring with Hard Stops at Each End
No “X” Effect
High Definition optical glass
Nano Coating, Waterproof and Anti-Reflective Coating
An optional rotating lever that can be removed
Larger front thread to avoid vignetting on wider lenses
Includes lens cap and pouch
The NiSi True Color ND-VARIO Pro Nano 1-5stops Variable ND is designed to mount onto lenses with 82mm front filter threads and provides an exposure reduction of 1 to 5 stops. The 0.3 to 1.5 density creates a darkening of the entire image, allowing wider apertures or slower shutter speeds than usually possible. The degree of density is easily controlled by rotating the front filter ring with or without the included silver lever, helping you predetermine the additional exposure length required. By slowing your exposure time or increasing your aperture, you can control the depth of field and convey movement more easily. The transition of density occurs smoothly which allows the photographer or videographer to adjust exposure length to the exact amount required for a given scene. For easier, repeatable control over density settings, the front ring is visually marked with numbers representing the different stop values. The ring features silver side knurlings for a secure grip and easy installation and removal. For those using this filter with cinema or video cameras, combined adjustments of aperture and this filter allow fine adjustments of the depth of field while retaining the designated frame rate.

Ultra-Thin frame
10 Stops Exposure, No Color Cast
Top Smooth Finish on the Surface
Matt Black Superfine Frosted Frame.
Neutral Density 3.0 (exposure adjustment = 10 stops, transmits 0.1% of light)
IR Coating to reduce color cast
Nano Coating
The NiSi Nano IR Neutral Density Filter ND1000 is specially designed for landscape photographers. This filter is made from high-quality optical glass with nano coating to prevent losing any single bit of detail. Neutral density filters do not affect the coloration of the image and the 3.0 density provides a 10 stop reduction in light from entering the lens.

Attaching a neutral density (ND) filter to your lens uniformly reduces the amount of light entering the lens. The ND filter is helpful when the contrast between the highlights and shadows is too great to get quality exposure. The ND Filter also can enable greater motion blurring and image detail by allowing a large aperture and/or a slow shutter speed to be used. A variant on the ND filter is the graduated ND, in which there is a gradient that effects the reduction of light in a graduated, neutral level from 100% to 0% across the length of the filter. The Graduated ND is recommended for shooting landscapes and seascapes because you can reduce the brightness of the sky (for better contrast) but still maintain an affecting exposure of the land or water.

By using neutral density filter the camera is vulnerable to infrared light which will cast the unwanted red color to the photos when shooting at small aperture. The added the infrared protection coating layer to this filter which helps to eliminate the infrared light through the lens to bring back the natural color.

True to life color
High Definition
Optical Glass
Ultra Slim Frame
Waterproof and Pro Nano Coating
ND64 6 Stop
The NiSi HUC IR Neutral Density Filter ND64 (1.8) 6 Stop is specially designed to reduce the amount of light entering the camera by 6 stops. This filter is made from high-quality optical glass with nano coating to prevent losing any single bit of detail. Neutral density filters do not affect the coloration of the image and the 1.8 density provides a 6 stop reduction in light from entering the lens.

The ND Filter creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed than normally required. By slowing your exposure time or increasing your aperture, you are able to control the depth of field and convey movement in your images. The ND64 6 stops ND filter is generally used during the golden hour to create exposures of 1-2 minutes for smooth water or clouds. A 6 Stop is also great for capturing dynamic water while retaining some texture before the golden hour.

By using neutral density filters the camera is vulnerable to infrared light which will cast the unwanted red color to the photos when shooting at a small aperture. The added infrared protection coating layer to this filter helps to eliminate the infrared light through the lens to bring back the natural color.

No colour cast thanks to the IR coating which blocks infrared light.
Very low peripheral light fall (vignetting) thanks to the very thin aeronautical aluminum profile of only 3.5mm. One of the world’s thinnest ND SLIM filters.
Lens grade optical glass for precision applications of the highest quality and transparency (NiSi exclusive), the only filter to use the same glass as the highest quality elements of photographic lenses and optical instruments.
Cleaning is very easy thanks to the Nano Coating and the water repellent and oil and grease resistant coating. NiSi patent.
Anti-glare coating against parasitic lights, ghost lights, flares and unwanted reflections.
Circular screw NiSi ND filters are available in a wide range of sizes, from 40.5mm to 82mm. Here in the 3-stop version ND8 (1.8).

NiSi neutral density (ND) filters are the ideal tool for managing light in the field. Thanks to the wide range of densities available, NiSi ND filters allow you to extend shutter speeds even in bright conditions. Managing light with ND Filters allows you to have a fourth way to control exposure (in addition to ISO, time and aperture).

Construction
All NiSi square use Nano Coating®, this wording indicates the use of the exclusive Nano Coating treatment which makes the filter water-repellent and oleophobic for perfect sharpness. NiSi filters also use IR technology, i.e. the coating that blocks infrared light, and therefore the dominant magenta colour.

Unparalleled Quality
NiSi filters are all made of the highest quality lens grade optical glass so as not to lose even the smallest detail in your images. The special Nano Coating coating on both sides minimises unwanted reflections and gives the NiSi neutral density filters the characteristic of being water-repellent and oleophobic. There are no comparable quality filters thanks to the exclusive NiSi glass used, with which you can be confidant that your lenses will not lose definition.

Unique on the market
Thanks to the very high chromatic correspondence and absence of colour cast, you can finally say goodbye to impractical and time consuming colour corrections in post production. NiSi optical glass is not the classic B270 used by many manufacturers, but it is a superior quality glass used by the major manufacturers of photographic lenses specifically for the finest optical elements, NiSi filters do not degrade the image and your lens and photographic sensor will always work at maximum of their potential.

Weatherproof
The Nano® Coating treatment gives the filter the quality of repelling water and oils, making cleaning very easy even in extreme conditions or with the presence of sea water. The finishing of the edges and the rounded corners improve the resistance of the filter and the grip. Our filters and holders are born to be used outdoors, in any weather situation, enjoy photography in its purest essence.

HUC glass
HT glass (High Transmission 99.2%), HUC (High-ultra Clarity): robust glass with no loss of detail is exclusive to NiSi. The ND 6 Stop Circular NiSi filter also uses optical glass for precision applications; the highest quality for your photography.

Limitations: The effect of vignetting on lenses is greatly appreciated there
Coating on the filter is multi-sided
High quality optical glass for high transmittance and extremely smooth surface
Protect the lens from dust and damage cut by the front element
Easy to clean
NiSi MC UV Series Superior Japanese Patents Special double and multi-coating technology, adopts high-quality optical optical glass, which ensures high transmittance, ultra-smooth surface and avoids unnecessary reflection. Meanwhile, the frame using high quality aluminum frame (only 5.2mm thick), is the thinnest in the world so far. In addition, the ultra-fine dull polishing and elaborate knurling ensure that the frame will not whiten due to frequent cycling; These advanced filters help avoid vignetting on lenses that are unusually south. All materials used in this filter comply with the requirements of European Union Environmental Protection Standards - ROHS (distinctive Restriction of Hazardous Substances), and do not contain anything hazardous. Moreover, the screw thread in front of the frame makes it easy to install the lens hood and other accessories.

Key Features
2 Lights with Stands and Case
For Studio and Video Production
Output: 2000 Lux at 3.3' (5600K)
3200 to 5600K CCT; Bi-Color Control
13.4 x 12.7" Panel; AC/DC Operation
CRI 97 | TLCI 97
On-Board and Wireless Control
Passive Cooling for Silent Operation
0-100% Dimming
Set of 4-Leaf Barndoors and Diffuser
This 672S-B Bi-Color LED Panel 2-Light Kit from GVM offers a complete lighting system with advanced color and power options. The kit includes two black 672S-B bi-color LED panels, each with a set of 4-way barndoors, an AC power adapter, a soft filter, and a light stand. A wireless remote for control and a case for storage and transport are also included.

The panel measures just 10.3 x 9.3 x 3" and is designed to meet ambient light challenges for creative expression. It has a variable color temperature range of 3200 to 5600K and high 97 CRI/TLCI ratings to indicate accurate color.

The panel has a wide beam spread that you control with the four-way barndoors. Simply swing one or more of the barndoor leaves into the path of the beam to keep light from areas you don't want illuminated. The light is dimmable and you can make adjustments locally on the fixture or wirelessly with up to 120 fixtures via GVM's 12-channel Multi-Function Master/Slave Control or with the included wireless remote control. The panel is powered via the included 110-220V AC adapter, but it will also run on user supplied NP-F-type batteries when mains power is unavailable. The light comes with a diffusion filter to soften the bright LEDs.

Complete lighting system with advanced color and power options
Variable color temperature range of 3200 to 5600K
High CRI/TLCI ratings are 97 for accurate color
Dimmable fixture with wide beam spread
Includes barndoors and diffuser
Dual-voltage for worldwide use
Runs on optional NP-F-type batteries when mains power is unavailable

This product is specially designed for senior photography enthusiasts. The product is suitable for live / outdoor / studio photography, and also for YouTube video shooting.

Super Bright & Wide Rangs:Step-less adjustable RGB color and dual color temperature feature, color range 3200K ~ 5600k, with 672 LED bulbs, which is helpful to restore and enrich the color of objects and provide you with natural and vivid shooting effect.
Simulate 8 Kinds of Scene Lights: Lightning, Police car, Candlelight, TV, Bad light bulb, Party, disco, Paparazzi.Can satisfy these effects and meet your different shooting requirement.
App Intelligent/ DMX control system: Equipped with Mobile App control function, download the GVM app in major app stores. Convenience to control the accurate color temperature and brightness you need. Meanwhile, the LED lights feature wireless master and Slave control function, Each LED Panel could be set as the master light to control the same series video lights.
With an LCD screen and stable system: It supports 180° rotation and can effectively control the light. You can also install soft light board to avoid excess light, make the light softer, and customize the fill light, allowing you to easily and casually shoot the desired results.


Packing Lists

GVM-R500R RGB LED Video Light (BOGO)

1x RGB Panel Video Light
1x Light stand
1x DC adapter
1x Soft light board
1x User Menu

Key Features
Medium Format | f/1.7 to f/22
44mm (Full-Frame Equivalent)
Extremely Fast Portrait Prime
DC Motor with GMR Sensor AF System
Rounded 11-Blade Diaphragm
2 x Aspherical, 2 x ED Elements
Weather-Sealed Design & Fluorine Coating
The GF 55mm f/1.7 Lens from FUJIFILM is a lightweight cine-style portrait prime lens designed for GFX-system cameras. This extremely fast prime features a wide f/1.7 aperture to allow for optimum low-light performance and excellent control of your depth of field. 11 aperture blades render the out-of-focus areas of your frame into a smooth, rounded bokeh. With a 44mm full-frame equivalency, this lens functions well for various subjects ranging from street photography to portraiture.

DC Motor with GMR Sensor AF System
The GF 55mm utilizes a powerful DC motor and precision GMR sensor for fast and accurate autofocus.
Wonderous Detail
11 aperture blades create a beautifully rounded bokeh with minimal chromatic aberrations and color shifts.
Lightweight Yet Resilient
Weighing just 1.72 lb, this lens won't slow you down when traveling. Also, enjoy peace of mind even in the rain with the lens's weather-resistant design.

Compatible with Canon, Nikon, Sony, Panasonic, Olympus, Fuji, and Pentax DSLR cameras with a hot shoe, the MF-R76 Macro Ring Flash from Godox illuminates your subject with a soft and even light, which is ideal for revealing small, close-up details. The ring light consists of two components, a controller that slips into your camera's hot shoe and the ring flash that mounts on your lens. Godox includes 49, 52, 55, 58, 62, 67, 72, and 77mm adapter rings to ensure wide compatibility with most lenses. The control unit powers the system via a long-lasting rechargeable lithium battery, which can provide up to 660 full-power flashes. The manual unit regulates light intensity in 1/3 EV increments from 1/1 full power to 1/128, and a large LCD panel conveniently displays flash settings for easy navigation and control.

Compatible with Canon E-TTL, the MF-R76C TTL Macro Ring Flash from Godox illuminates your subject with a soft and even light, which is ideal for macro shooting scenes. The ring light consists of two components: a controller that slips into your camera's hot shoe, and the ring flash, which mounts on your lens. Godox includes 49, 52, 55, 58, 62, 67, 72, and 77mm adapter rings to ensure wide compatibility with most lenses. With a guide number of 45.9' at ISO 100, the MF-R76C provides detailed, wrap-around lighting for your close-ups. The twin-tube design also allows users to set each side to different power ratios, enabling higher contrast lighting when desired.

Adding to the unit's versatility, the MF-R76C offers TTL and manual modes combined with HSS, first, and second curtain sync capabilities. Besides that, two focus-assist lamps with 10 adjustable levels of power ratio are useful for low light scenes. The control unit powers the system via an included rechargeable lithium battery to ensure long-lasting shoots, giving you up to full-power 550 flashes. A large panel conveniently displays flash settings for easy navigation and control. Godox also supplies a charger, a USB-C cable, and a storage bag.

Compatible with Nikon i-TTL, the MF-R76N TTL Macro Ring Flash from Godox illuminates your subject with a soft and even light, which is ideal for macro shooting scenes. The ring light consists of two components: a controller that slips into your camera's hot shoe, and the ring flash, which mounts on your lens. Godox includes 49, 52, 55, 58, 62, 67, 72, and 77mm adapter rings to ensure wide compatibility with most lenses. With a guide number of 45.9' at ISO 100, the MF-R76N provides detailed, wrap-around lighting for your close-ups. The twin-tube design also allows users to set each side to different power ratios, enabling higher contrast lighting when desired.

Adding to the unit's versatility, the MF-R76N offers TTL and manual modes combined with HSS, first, and second curtain sync capabilities. Besides that, two focus-assist lamps with 10 adjustable levels of power ratio are useful for low light scenes. The control unit powers the system via an included rechargeable lithium battery to ensure long-lasting shoots, giving you up to full-power 550 flashes. A large panel conveniently displays flash settings for easy navigation and control. Godox also supplies a charger, a USB-C cable, and a storage bag.

Compatible with Sony TTL and optimized for dental photography, the MF-R76S+ Dental Macro Ring Flash from Godox delivers an adjusted, improved performance for dental shootings. It illuminates teeth in every direction with a soft and even light, eliminating unwanted vignetting and shadows. The ring light consists of two components: a controller that slips into your camera's hot shoe, and the ring flash, which mounts on your lens. Godox includes 49, 52, 55, 58, 62, 67, 72, and 77mm adapter rings to ensure wide compatibility with most lenses. With a guide number of 45.9' at ISO 100, the MF-R76S+ provides detailed, wrap-around lighting for your close-ups.

Adding to the unit's versatility, the MF-R76S+ offers TTL and manual modes combined with HSS, first, and second curtain sync capabilities. Besides that, two focus-assist lamps with 10 adjustable levels of power ratio are useful for low light scenes. The control unit powers the system via an included rechargeable lithium battery to ensure long-lasting shoots, giving you up to full-power 550 flashes. A large panel conveniently displays flash settings for easy navigation and control. Godox also supplies a charger, a USB-C cable, and a storage bag.

Practical Dental Photography Guide
For best results taking dental photographs, your camera should be set to manual exposure mode with a shutter speed of 1/200s at ISO 100. Godox also recommends a distance of 5' between the shooter and the subject. Additionally, setting your lens to manual focus is suggested. The MF-R76S+ will help you to capture images at different stages of the dental treatment to easily compare the patient's progress.

Compatible with DSLR cameras with a hot shoe, the ML-150 II Macro Ring Flash from Godox illuminates your subject with soft, nearly shadowless light that reveals every detail. The ring light consists of two components: a controller, which slips into your camera's hot shoe, and the ring flash, which mounts on your lens. Godox includes 49, 52, 55, 58, 62, 67, 72, and 77mm adapter rings to insure wide compatibility. The control unit is the brain and power pack of the system. The manual unit can regulate light intensity in 11 steps and recycles in 0.1 to 2 seconds and runs on four AA batteries that give you 300 to 1000 flashes.

The Cinema C5 Matte Box Filmmaker Kit from NiSi is a lightweight, clamp-on matte box system that supports 4 x 4" and 4 x 5.6" filters. Crafted for cinema-style production applications, the C5 works in concert with NiSi's cinema line of filters and 4 x 4" rotating circular filters. Built from plastic, aluminum, and carbon fiber, the matte box has a carbon fiber top flag for better control over glare from overhead light sources.

The filter holder features a top slot for 4x4 filters and a side slot for 4 x 5.65" filters, with the included filter trays supporting 2 and 4mm thick filters. The matte box facilitates having the filters as close as possible to the lens to ensure that vignetting does not occur. This kit includes a filter pouch for storing filters and additional accessories, as well as a set of adapter rings for using the matte box on lenses with 67, 72, 77, and 82mm front threads. Also included with this kit are a True Color VND 1-5 Stops filter, an FS ND16 4 x 5.65" filter, and a 1/8 Black Mist 4 x 5.65" filter.

The Cinema C5 Matte Box Cinema Kit from NiSi is a lightweight, clamp-on matte box system that supports 4 x 4" and 4 x 5.6" filters. Crafted for cinema-style production applications, the C5 works in concert with NiSi's cinema line of filters and 4 x 4" rotating circular filters. Built from plastic, aluminum, and carbon fiber, the matte box has a carbon fiber top flag for better control over glare from overhead light sources.

The filter holder features a top slot for 4x4 filters and a side slot for 4 x 5.65" filters, with the included filter trays supporting 2 and 4mm thick filters. The matte box facilitates having the filters as close as possible to the lens to ensure that vignetting does not occur. This kit includes a filter pouch for storing filters and additional accessories, as well as a set of adapter rings for using the matte box on lenses with 67, 72, 77, and 82mm front threads. Also included with this kit are a True Color VND 1-5 Stops filter, a True Color Rotating PL filter, an FS ND16 4 x 5.65" filter, and a 1/8 Black Mist 4 x 5.65" filter.